Percussion done to Metronomic Perfection on JS aka The Best’s Bossa Nova

JS aka The Greatest affords a brand new approach to strategy percussion on Bossa Nova. Persevering with his research of sound already proven in his numerous industrial works, he takes on percussion in an emotionally charged trend. Far-off from the thought of a time-keeping system, he infuses the idea with the utmost of emotion. The results of this technique is one thing that really touches the soul. All of his items have this related cadence, a looseness that’s liberating. By refusing to pigeonhole himself into one type, the tracks movement one to the opposite in a lyrical trend.

Vocals add to this heightened state. Fairly liberating the strategy does draw from his personal background, one that features his classical percussion coaching. The motion in the direction of a extra natural sound inside digital music is a comparatively latest one and most abroad with the likes of the Moritz von Oswald Trio and Elektro Guzzi. By retaining the work inside a extra pop-oriented context, nevertheless, JS aka The Greatest sidesteps the development of the experimental for one thing a bit extra accessible.
Good headphones and good audio system are a should for the best way that JS aka The Greatest sculpts the sound deserves to be heard within the highest constancy. Bossa Nova stuns and reveals off JS aka The Greatest’s exquisitely crafted layers.