Steve on being on Blue’s Clues:
“I moved to New York to be a a lot, quote-unquote, ‘cooler’ factor — an Al Pacino-Dustin Hoffman hybrid, however I gotta say, even on the first audition, there was a factor that I liked: this concept of speaking to the digital camera, like a Charlie Chaplin, Buster Keaton factor. I assumed the interactivity was actually breakthrough. I used to name it ‘The Rocky Horror Youngsters’s Present.’ However yeah, the persona was not what any 22-year-old dude would have wished.”
“The setting was a blue display, which is a void, and a few lights. Level being, I couldn’t see anyone else. Typically I might see the director, however largely ‘Blue’s Clues’ felt like a delicate, small, private expertise. It was me and a digital camera. That’s what I keep in mind. The entire thing was me and my ride-or-die, which was you.”
“I didn’t understand it but, however I used to be the happiest depressed individual in North America. I used to be combating extreme scientific despair the entire time I used to be on that present. It was my job to be completely and utterly filled with pleasure and surprise always, and that grew to become not possible. I used to be at all times in a position to dig and discover one thing that felt genuine to me that was adequate to be on the present, however after years and years of going to the effectively with out replenishing it, there was a value.”
